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MĪKA´PI—RED OLD MAN,"Why do you say that?" he asked.,"Hist, Miss Mona! hist!" says this voice close at Mona's ear. She starts violently.,Suddenly a bell rings in the distance. This is the signal for the men to cease from work and go to their dinners. It must be two o'clock.,In remembrance of a shroud.","There is,—a reason not to be surpassed. And as to the parlor,"—in a melancholy tone,—"I could not be happy there, or anywhere, just at present. Unless, indeed,"—this in a very low but carefully distinct tone,—"it be here!","Who is uttering seditious language now?" asks he, reproachfully. "No, you wrong me. I had, indeed, forgotten for the moment all about that unfortunate driver. You must remember I am a stranger here. The peasants are unknown to me. I cannot be expected to feel a keen interest in each one individually. In fact, had Mr. Moore been killed instead of poor Maloney, I shouldn't have felt it a bit the more, though he was the master and the other the man. I can only suffer with those I know and love.","But why, darling? Could you not be happy as my wife?","I pity your wife," says Mona, almost severely.,This last remark, being in a degree ungenerous, causes a sensation. A young man, stepping out from the confusion, says, very earnestly,—,They are all standing in a sort of anteroom, curtained off, but only partly concealed from the ballroom. Young Lady Chetwoode, who, as I have said, is a special pet with the duchess, is present, with Sir Guy and one or two others.,The young man replied, "I am mourning day and night, crying all the while. My little son, who is the only one left me, also mourns.".